May 20, 2012
1984 and Giving Books a Second Chance

I was a pretentious teenager.  Objectively, I’m not that far removed from my teenage years, but it all feels like a lifetime ago.  Maybe every decade is like that, maybe once I reach 30 I’ll look back at my 20’s and think I was acting like an idiot.  

However, the pretension of my teenage years is undeniable. I never thought I was perfect, or that I knew absolutely everything, but I did think I had better taste than my peers. So when everyone else was busy reading Harry Potter I was forcing my way through the “classics.” Sometimes the language was too much for me, like with Paradise Lost and The Odyssey. If you’re wondering what kind of idiot teenager thinks she can get through Paradise Lost on her own, Congratulations! You have now found her. There are scholars who have dedicated their whole careers to studying John Milton’s epic and I thought I’d breeze through it in a week.

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January 8, 2012
Science-Fiction, Fantasy, and Putting Books into Boxes

So I spent the past several days making an elaborate spreadsheet of my “To Be Read” List, and classifying each book by genre. This endeavor has only reinforced my long-held belief that authors are very tricky people.  

Classifying literature is difficult.  A book is a multi-faceted creation, and most have elements of multiple genres. Sometimes the dominant genre is clear – if it involves hunting down a killer it’s a mystery - but usually it’s not. A book taking place in the future might not necessarily be science-fiction. If it’s the far-flung future (as in, 50+ years) then it’s almost always sci-fi - but if it’s the immediate future (anywhere from 1-10 years) its classification becomes murky. Many books that take place in the immediate future are actually about the present. They’re about the ramifications of modern society; our world with one key difference, or one aspect taken to a more extreme degree. In cases like that, I’d argue the book is still considered Contemporary fiction. Contemporary is a monster of its own though, and I’ll get to that one in a later post.

Where do you draw the line between Science-Fiction and Fantasy? Fantasy is anything with magical or supernatural elements in it. Demons, fairies, werewolves, etc. are fantasy. Advanced civilizations, dystopian futures, and anything with advanced technological elements is science-fiction.  But what about alternate histories? Is steampunk considered fantasy or science-fiction? This is where personal interjection comes into play, because the nature of the alternate world is what determines its classification. For example, let’s say the premise of the novel is that Hitler never committed suicide. Unless it’s got magical or supernatural elements I would classify it as Science-Fiction, especially if time-travel was involved. But what if there are no external elements that cause Hypothetical Hitler to live? What if he just decides not to kill himself and the novel still takes place during WWII? Does that make the novel historical fiction? I think so. The alternate timeline hasn’t consumed the character’s universe yet. The more that time is allowed to lapse within an alternate history the further the story slides into inescapable science-fiction and fantasy territory.  The author has to interject and guess as to how the world is changing since we’ve fallen off of history’s true course. As long as we’re still near the inception of the alternate world the work can fall under the domain of other genres. If, instead of committing suicide, Hypothetical Hitler is murdered the book would fall under Mystery/Thriller.

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August 3, 2011
Science-Fiction. The best kind of -opia is a dystopia! 

Science-Fiction. The best kind of -opia is a dystopia! 

(Source: wordpainting, via ilovecharts)

August 3, 2011

laphamsquarterly:

Created this weekend over the course of six hours as part of Longshot magazine’s Debt issue, “Circles of Influence” is a chart of artistic, scientific, and phiosophical debts through time. It’s also very pretty and something we’d like to hang on our wall. 
Listen to a Longshot Radio interview about the making of this chart with Michelle Legro of Lapham’s Quarterly, Maria Popova of Brain Pickings, and illustrator Wendy MacNaughton. 

laphamsquarterly:

Created this weekend over the course of six hours as part of Longshot magazine’s Debt issue, “Circles of Influence” is a chart of artistic, scientific, and phiosophical debts through time. It’s also very pretty and something we’d like to hang on our wall. 

Listen to a Longshot Radio interview about the making of this chart with Michelle Legro of Lapham’s Quarterly, Maria Popova of Brain Pickings, and illustrator Wendy MacNaughton. 

(via ilovecharts)

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